The Blog

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Making Friends in Spokane (and Walla Walla)

I’m not a big touring girl. I love travel, but I don’t do it often and I generally don’t do it exclusively to work. There are, however, a few places I go regularly and am even looking to meet some new friends here and there.

During the summers, I generally head in the direction of Spokane once a month or so. I am not *in* Spokane, I am about an hour away, but I am nearby. It’s not impossible that I’ll “retire” there eventually, and I wouldn’t mind having a few friends to keep me company. Until that happens, I won’t have a permanent location to host so appointments booked for Spokane will look a little different.

First, the good news. Spokane has a lower cost of living. Spokane *also* has a lower cost of me! Spokane rates are as follows:

90 minutes – 700
2 hours – 900
3 hours – 1200
Overnight – 2500

Now for the catch: you must provide the room (or deposit equal to the going room rate plus 10%). And not just any room. We’re talking Davenport or equivalent. I want both of us to feel secure, comfortable, clean, and sexy. Once we have met a few times and gotten to know one another better, we can discuss meeting at your clean bachelor pad, but I like to stick to one new thing at a time. If I don’t know you, I’d at least like to know where I’ll meet you.

You’ll also want to plan ahead. Like I said: it’s a long drive into town and when I’m back east, I often have things to do I’ll want to plan around.

The other Eastern WA location I visit more than once a year is Walla Walla. Spring and Fall release are a tradition to attend and I require small prompting to visit throughout the year. I stay at the Marcus Whitman (when it’s not 100% sold out) and would LOVE to see any locals who want to share their time. Walla Walla rates are:

90 minutes – 800
2 hours – 1000
3 hours – 1500
Overnight – 4000 (and something from the Patisserie in the morning)

Again: planning ahead will be crucial. And if you don’t see a Walla Walla date on my calendar but you’d like to invite me down, feel free to reach out.

Fun bonus: all my darling Seattle clients may avail themselves of these special lower rates if they see me in Spokane or Walla Walla.

Screening requirements are the same and I cannot provide FBSM at this time. It’s a bit too conspicuous to travel with the table and conspicuous is the enemy of safety, especially in a big little small town.

I am looking forward to meeting, or re-meeting in some cases, darling friends from the rural areas who take their pleasure as seriously as I do but find a trip to Seattle a bit more than reasonable. See you soon!

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A Walk to Work Wonders

It’s been a busy few weeks for me. Usually, that brings me joy, but coming on the heels of a very slow couple of months and at the same time as the release of Tears of the Kingdom, I found myself resenting things that I would otherwise enjoy.

Now, this doesn’t mean I didn’t enjoy being busy. An evening at the opera, a night of sleepy snuggles, new friends, an outing with the folks, all brought their own delights and I am happy to have done them. But it contributed to an uncharacteristically black mood on a glorious early summer day.

I love walking. To the store, from the bus, around Greenlake, I will invent chores and destinations so I have an excuse to walk somewhere. I am fortunate that I have a variety of pedestrian friendly places to roam without needing a plane, train, or automobile to access them. As part of my self care, I try to take at least a short walk every day.

Which is why I was surprised at how resentful I felt towards this walk! I knew it was good for me, I had made plans to chat with a friend along the way, the sun was out but it wasn’t too hot… in a few words: the day was perfect, I was about to do something I enjoy, and I wasn’t happy about it.

I’m glad I did it anyway.

It took almost the entire walk to bring me around. An hour it took me, of soaking in sunshine, reminding myself to enjoy moments for what they are and not worry about what they aren’t, and listening to music. I was a few blocks from home when Chandelier by Sia came on my playlist and one lyric jumped out at me: “I’m gonna live like tomorrow does’t exist.”

What if today was my last day on earth? What would I wish I had done by the end? Would I really be upset that I spent a day with my best friend instead of gaming? Would I regret staying in bed all day instead of having a face-to-face heart-to-heart with my mom? Would I lay on my death bed wishing I hadn’t stopped quite so many times to say “I love you” to those I love?

And suddenly, my perspective shifted.

Instead of wishing I could abandon my professional and personal responsibilities, I remembered that there is a reason I opted into them, and those reasons are still real. I realized that there will always be tomorrow for frivolity, that I was glad to have done these important things, and that I could have it all. Eventually.

Sometimes it sucks to be a grown up. To have only yourself to blame when you can’t take a day off. To fret over the future and choose to do the responsible thing instead of the fun thing. But it is also empowering. I can choose to work hard at the things I value: my relationships personal and professional. And at the same time, I can choose to appreciate them. And I can choose to play, too.

So today I exercise, because it’s good for me and it feels good. I work, because it’s good for me, and it feels good. I tell my people I love them, because it’s good for me, and it feels good. I play, because it feels good, and that is good for me. And I take a fucking walk, because it turns out it’s good for me, even when it doesn’t feel good.

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Taking the day off.

I had a delightful post ready for last week, or I thought I did, and I have plans to write about the opera in the coming week, but for today, I am taking my first day off in a week. Between a terrible cold, a friend in town, cat sitting, and some delightful visitors, I have had a tremendously full week. Next Thursday you’ll have much to see as I’ll have a backdated post for last week as well as a new one.

In the meantime, I am receiving heart containers from all my darlings and spending the afternoon enjoying the beautiful sunshine.

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A Night at the Museum

I’m on the Stranger’s mailing list for citywide events so I learn about all kinds of things to do. Most of the time I’m not that interested. Most concerts aren’t really my thing (I don’t like crowds or loud noises), and a lot of the “events” are just restaurants making up occasions to sell more food. Which is fine, but again with the crowds.

However, every few weeks something really jumps out at me. The Ballet was one. Turns out I’m not really that into ballet, but at least I tried it! HUMP is another. I knew about it, but having a timely reminder meant I got tickets and found a date this year instead of realizing too late that it’s time. And last month I saw an opportunity to spend an evening on the dance floor…. With fossils!!!

Burke After Dark is an event where the special exhibits area at the Burke Museum of Natural History is cleared out and in it’s place they put a dance floor, an open bar, and some nibbles. You can dance until you get sweaty and out of breath, then wander through the displays and exhibits for a while, then wander back to the dance floor. A little Lady Gaga, a little T Rex. A little Michael Jackson, a little cladogram. A little Disco, a little marsupial specimens.

It was a small group, most of them in their thirties or so, and as I took a moment to people watch, I felt this wave of warmth and belonging. I didn’t know a soul (other than my exceptional date, thank you my dear) but I knew them. The one guy getting super dirty with his girlfriend. The nice lady who kept checking to see who was watching her sweet dance moves. The crowd of girlfriends giving zero shits what other people were doing. It reminded me of prom, specifically of going to prom with my theater nerd friends. And all of these strangers gathered here, now, for this unusual crossover event.

There’s a special feeling of safety and belonging for me in those spaces. A place where there’s a crowd of people (but not a large crowd) and enough space to stand apart and observe. Soak it in a bit. I feel like this at parks, or book readings, or sitting in the corner alone at a restaurant: there are people, and they are happy, and they ask nothing of me. They offer without knowing it their camaraderie and I am free to accept it, or not, when I’m ready.

I remember one night, years ago, when I took my book to dinner. I sat up at the bar with my charcuterie plate and a glass of wine and my book, when about halfway through, we noticed each other. Down the bar, another woman and her book, and her charcuterie plate, and her glass of wine. And at the same time, at a table in the middle of the room, another. Maybe it was the wine, maybe it was the coincidence, but we gravitated to each other and wound up migrating to the table. “What book are you reading?” “Do you do this often?” “I’m so glad we met.” An hour later we had traded life stories, three of us spanning six decades, and shared a unique moment of community with strangers.

These moments, of solitary community, of serendipity, of solidarity, don’t come often. Sometimes I can manufacture them, but usually I just have to stay open and see what happens. This evening was a created opportunity. The organizers, myself, my date who let me talk them into an extravagant evening, the students and faculty tirelessly working, and the other attendees all had to go out of their way to make this happen. I am so grateful to everyone who did, and I am looking forward to the next one.

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Ants

Funny how things come in threes sometimes.

I spent an afternoon with the cuttlefish and less than a week later, was gifted a book. Science fiction, about alien worlds and megalomaniacs and regular old humanity trying to survive. It featured sentient spiders and computers made of ants, and followed a man, a language nerd upon whose shoulders rests humanity’s last chance, as destiny jerks him to and fro.

After the book ends, a few generations pass, and the next book begins. The spiders and the humans and the ant-colony-computer-based AI all troop off toward a mysterious radio signal and a distant world.

This world is full of sentient octopuses.

Ten days after staring my cuttlefish friend in the eye, I lay on my sofa, reading a scene where an octopus, a human, and a giant spider meet, stare each other in the eyes, and try to learn how to communicate.

It was surreal.

And today, less than a week after closing the back cover on what is essentially a space opera, I stopped, crouched, and stared in wonder at a colony of ants, bustling around living their little ant lives. I wondered if, perhaps, the author of Children of Time didn’t have an interesting idea. If electron based computing power operates on a series of ones and zeros, ons and offs, who’s to say that an ant colony, properly guided with pheromone signals, couldn’t become something more computational than a massive bridge or giant ball? I couldn’t see a pattern in the colony’s movement, but that doesn’t mean it wasn’t there.

Out of curiosity, I puffed a hefty breath at them, enough to life some off their little bug feet and roll them a few centimeters one way and the other. Immediately, their pace increased. The clover leaf patterns and long lines moving in, out, and around the little ant hill sped up wildly, but it didn’t look like anything else changed. The patterns I didn’t see before still didn’t emerge, nor did I notice them changing.

But change they did. Before long, the clover leaf leaves grew and a few individuals found my shoe. Whether or not they recognized it as enemy, I figured it was time to go. I tried brushing them off and that’s when another instinct kicked it.

She bit me!

Not on the toe, but on my glove. I was wearing some simple knit gloves and this tiny little creature latched her tiny little jaws on to the tiny little threads of my glove. Held thusly in place, she bent her booty around to spray what must have been the tiniest, weakest spray of bum acid at me.

This is how they fight other insects and take down prey. Mindlessly, she fought on behalf of her colony, against this monstrous enemy, and she held on tight. Like, surprisingly tight. So tight I couldn’t just brush her off. I had to pinch her body between thumb and forefinger of my other hand, break her fast little grip, and be quick to shake her back onto the ground before she got hold of the other glove.

How wild, these little things! Several people passed me as I crouched entranced, on bikes and on foot. I’m sure they thought I was an absolute nutter. My favorite walking shoes don’t look as comfortable as they are, and the combination of winter gloves and sunglasses can’t have fit in, even in Seattle. Add to that me intently staring at nothing, head bent down close to the ground, a joyful, incredulous, possibly maniacal under the circumstances grin on my face, and you get a bit of an odd sight. At least, the thought occurred to me once or twice while I watched.

I do this sometimes. Watch the world go by at it’s impossibly slow, frantic pace. I once watched dragonflies hatching, moving occasionally from one bursting shell to the next, observing each one at it’s separate, communal point in development. They have to climb out of the water, get high enough on a branch they can get some sunshine but not so high they get spotted by predators, then they split their backs open and push their torsos out first. Though I’m not sure it’s the same for dragonflies, I know that butterflies have to struggle in order for their wings to function. Each wing is threaded with dozens of capillaries that must fill with fluid in order to full expand. I watched wings start crinkled like badly packed vacation clothes and slowly, millimeter by millimeter, straighten and expand into the flat, iridescent wings we’re used to. Then, they start moving their wings. Slowly at first, drying and strengthening them. And then they lift off.

There’s something meditative about watching nature. Children, insects, small creatures of the woods, just going about their lives, carrying out programming that goes back to the dawn of time and led, over generations, to the creature they are right then, right there.

The books are Children of Time and Children of Ruin, respectively. I found them a simple pleasure, if a little predictable. Your “nerd just gives peace a chance and the wildly overpowered other guy turns out to be just like you and wants peace, too” trope is heavily used here, and is spreading. Season two of Picard did the same thing. But the descriptions are vivid, an important literary tool for those of us who see the worlds we read about rendered in our head, and I enjoyed the speculation. What would society look like if we were all jumping spiders? What if we were octopuses? What if we were us, but those others existed? How would we talk to each other? What if my little cuttlefish buddy and I had, over time, been able to communicate with each other and discover, to both of our surprise, that the answer to many of my questions was “yes”?

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Twenty Carat Clients

I adore my clients. I never know when a new face will materialize out of the fog of websites, advertising platforms, referrals, and the vagaries of economic fortunes. I never know when they will disappear into the next relationship, a different city, a new favorite provider, or simply reshuffled priorities. In the vast majority of cases, this is just how it is. The nature of the demi monde is one of uncertainty. Mystery.

On occasion, however, someone sets themselves apart.

Gig work is unpredictable. This industry even more so. We constantly advise each other and ourselves to save as much as possible when things are good, because it will not stay that way. We try. We sometimes succeed. But there are ways our clients can help.

If you find yourself returning to the same person over and over, you may find yourself becoming a 20 carat client. This is a term I have manufactured, and I define it thus: a twenty carat client weighs significantly in a provider’s books. A twenty carat client provides an unusually significant portion of her income and holds her in unusual esteem. My threshold for that is three or more meetings per month, or 20,000 in total revenue in 12 months.

If you hit this threshold, Congratulations! You are almost certainly a twenty carat client. Your ATF spends time in her personal life thinking about you, she goes out of her way to make time for you, she goes on special trips with you, and trusts you with her financial stability.

With this achievement comes some responsibilities.

While we like to know if we’ll see you again, most clients can come and go freely without putting our financial stability in jeopardy.

You, unfortunately, cannot.

We like to think good things will last forever, and we hope they will, but people change, life moves forward, and people even die. When it happens that you have to end your professional relationship, it is your responsibility to take care of her.

Now, there are no contracts in this industry. No policies, no worker protections, no unemployment insurance, no easily accessible precedents to which we can refer. You won’t get arrested, fined, or even really shamed for not putting in your notice or offering severance. When I say this is your responsibility, I am speaking to your conscience as a person who cares about the woman you’ve spent so much time with, and has forethought and resources.

Caring for her means giving her adequate notice (at least a month for every year of your professional relationship) or providing a financial cushion to ease her transition back to “active duty.”

I could give you reason after reason why this is a good idea, but those who will take this advice don’t need it and those who won’t are unlikely to be swayed. That’s fine. I find that I am almost exclusively surrounded by those who will, as long as they know they should.

Financial arrangements are always a fraught conversation for me. Women are not encouraged to advocate for themselves, particularly not in emotionally charged situations. I am deeply appreciative of my colleagues who have cajoled, reasoned, and sometimes even shamed me into sticking up for myself. I am also grateful for every single person who has heard me set a boundary or ask for aid and has not only respected it, but thanked me for sharing.

I see you, and I love you.

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The End of the World

Last month I made a pilgrimage. It wasn’t spiritual, or at least, any more or less spiritual than any other travel for me. But it took me to a temple in a remote, dense jungle, and for a half a moment, it connected me to times past and future.

The Mayan ruins of Ek’ Balam are not well known. After the crowds at Chichen Itza, the Zona Arqueológica de Ek Balam was an oasis in the jungle. A low wall surrounds over 20 acres, includes a number of excavated structures, and hides even more still undiscovered.

It was the end of a long day. We’d been up since five thirty and wouldn’t be home until seven or eight. It was our last stop of the day so we already had a great deal of background on the Mayan Empire, its reach, and its eventual fall.

I am a lone wander, on occasion. I like to linger at my own pace, moving on quickly from things that don’t interest me and contemplating those that do. Guided tours, however, rarely offer that flexibility. I chose one that offered free time at each location, and for just a moment, I really got some.

We had wandered the city of Chicken Itza, swum in the cool green waters of cenote Hubiku, and been walked around the discovered perimeter of Ek’ Balam. We stumbled on an active archaeological dig and got nervous at some suspicious sounds from a not distant enough for comfort distance. And in the last few minutes before heading back home, I took myself to the edge of an ancient platform to sit, my legs dangling over the edge, a twenty foot drop into dense jungle below me, and contemplate.

Being high up gave me a sense of safety, so when the jungle rustled and groaned, instead of shrinking away in fear, I searched for the source of the sounds. I saw the ubiquitous lizards, some little scuttlers and a few big old iguanas, climbing trees in search of food and mates. I saw squirrels with their fluffy tails hopping about, being squirrelly. Far above, local birds of prey circled. And beneath my feet, a colorful assortment of plastic bottles, wrappers, and other human trash.

In answer to the question “Why did the city die?” Our guide gave us depressingly familiar answers. Overpopulation. Pollution. War. History repeats itself.

Which is why I almost laughed out loud to myself when I first noticed the trash. A bitter laugh. Where has humanity not touched? Corpses litter the highest mountains and the wasted husks of our food and drink sink to the bottom of the deepest oceans.

Can we ever learn from the lessons of the past? Certainly. Will we? I think not.

We have been warned. The warnings are old, ancient, and more insistent every day. Not content to poison our water, we have now belched toxic waste into the air, filled vast oceans with unkillable plastics of every size and shape, ripped mountains to powder and ground thousands of people under the churning wheels of industry. Corporations externalize the cost of picking up after themselves into debts that we pay in the currency of our lungs, our drinking water, our cancerous growths, and our guilt.

As a little girl of about ten or eleven, I once asked my dad why the economy needed to grow. (My mom listened to NPR a lot.) He replied that it needed to keep up with people having children. As the population grows, so does the economy need to grow, to keep up.

Even then that didn’t make much sense to me. I couldn’t quite figure out why but it has since become obvious. The world is finite. We cannot grow indefinitely, kids or not, and expect the planet to supply our needs. We have made some incredible technological leaps that have staved off the end, but they have also given us a false sense of our own ability to mitigate.

More accurately, perhaps, it has given us a false sense of when and how much to mitigate. We allow tourists to lug single use bottles into the heart of the jungle and when they toss them over the edges of centuries old structures, structures that themselves stand mute witness to the inevitable consequences of exactly that behavior, we shrug and get back in the van.

I only sat on the edge of that wall for a few minutes. Just long enough to tap out a few quotes. I wanted to remember what it felt like to feel awe, anger, despair, all at once, all only enough to squeeze out a rueful laugh.

I’ll spare you, my beloved reader, from the end of this train of thought. I do think it’s possible that things will turn around. My generation cares more than the one before, and the ones after are downright pissed about it. Vegetarianism and teetotaling is rising in popularity, as is a movement to hold corporations accountable for their shitty single use packaging and over reliance on unbreakable plastics.

There is hope. It can be hard to see, sometimes, but there is. Even in the worst case scenarios… the world has been through an awful lot and look where she’s come. She’ll be ok. Eventually.

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The Movie Doesn’t Make the Man

I am a huge fan of Michael Caine. Not necessarily his movies (though The Muppet Christmas Carol is one of my all time favorites) but him as a person. In the wake of #MeToo, it seemed like every dick in Hollywood had done something dumb and it was all finally coming out. Michael was one of the few left unaccused.

It’s possible that his infractions were so long ago, or his victims were so far from show business that they simply didn’t come forward, but it seems far more likely that he is one of those men who can, in fact, behave like a professional when they are at work. Wild, I know.

I have always loved him as Scrooge and every year the muppets make an appearance in my holiday parade of classic Christmas films. One year I googled his name during the movie and read this amazing story about how he came to be there. He was at a point in his career where he got to be choosy when it came to scripts, and he chose projects as much for work life balance and who his coworkers would be as for the brilliance of the script or size of the paycheck.* Realizing that he had so far done nothing that his eight year old daughter could watch, he chose a child friendly project so they could all enjoy the fruits of his labor as a family.

I may or may not have dived head first into Hot Toddy season by then, but I to this day have several minutes of video that I recorded and sent to a friend where I sobbed at what a wonderful, thoughtful, just over all nice person he was, and how happy I was to be singing along. “The love we found, the love we found, we carry with us, and we’re never, quite, alone.”**

So as I browsed the internet, or read someone else’s book, or some other how stumbled across his book Blow the Bloody Doors Off I immediately snagged it from the library.

It’s an autobiography, with all the ego and self centeredness necessary to assume other people want to read about your life. Except it’s not. He can’t stop falling over himself to thank other people. He lavishly complements other actors, thanks his family and mentors for their love and encouragement, rarely names names when he tells stories of other people’s bad behavior (he only name drops when it’s a fully fledged statement of someone’s bad character or attitude), and acknowledges what advantages he did have as a tall, white, handsome man coming into Hollywood in the sixties and seventies.

And within all that, he shares things he’s “learnt” over the years. Not always specific to film or theater, but life lessons that apply anywhere.

“Be Reliable” I have covered. If nothing else, I show up when I’m expected. I seem to be chronically five minutes behind, but otherwise I am there, and I am present.

“Be Yourself” is also easy for me. Sure, it’s a polished, selected version of myself, but I still crack jokes, overindulge, and enjoy the outdoors.

“Be Prepared” however, I’m still working on. Oh I’m dressed, and the lights are low and the sheets are clean and there’s water for tea, but his preparation is intense. He will have every line for the entire film memorized by day one. Not only that, but he has already thought his way through two or three different ways of delivering them, ready to do his best, or to pivot as the director asks.

I am fortunate. Since I’m “playing the same part” over and over, every performance is also a rehearsal for next time, and flubbing a line doesn’t ruin the scene. But there is still a lot I could do to be more prepared. Many of my readers are already aware that I have a truly atrocious memory. Especially for names. There are ways to solve that. And while flubbing a line may not exactly ruin a scene, having a good one handy can make it, oh SO much better.

I have some ideas, specific to me but inspired by his words, to make my experience, and yours, even better in subtle ways. I look forward to trying them, reflecting on them and maybe even sharing them.

So thank you, Sir Michael Caine. Your brief journey down memory lane, at the ripe age of 85, didn’t change much for me, but it felt good to spend an afternoon with a solidly good damn guy. It always feels good to spend an afternoon with a good damn guy.

*It goes both ways. He missed his chance to accept his first Oscar because he was on location for JAWS 2. He tells everyone who asks about it that he knows it’s awful, he’s never seen it, but he has seen the house it bought and his mother is very happy with it.

**This is the final reason I am firmly in camp love song. Belle’s refrain as she leaves Ebeneezer is “The love is gone, the love is gone. I wish you well, but I must leave you now, alone.” Without the love song, the final refrain loses half it’s meaning.

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CuttleFish

I haven’t been to the aquarium in ages so I was delighted when one of my beloved patrons suggested a trip as a way to spend some time between the bedroom and the dinner table.

I have mixed feelings about animals in captivity. On the one hand, the Seattle Aquarium works almost exclusively with rehabilitated animals or those born in captivity, particularly birds and mammals. Their salmon hatchery is small but educational, and they only keep their octopuses for a few months before returning them to the wild.

On the other, the Dolphinarium in Puerto Aventuras had a fully grown sea lion in an enclosure smaller than my apartment. And if you didn’t otherwise need to be convinced that keeping charismatic mega fauna is inherently inhumane, you must have missed the nation’s collective  binge watch of Tiger King.*

But an aquarium is populated largely by invertebrates and otherwise relatively low needs creatures. Their internal worlds, as far as we can tell, are small and so it seems so much less cruel to keep them in (well maintained) tanks. In fact, it seems quite the opposite. In a world full of predators, offering simple prey animals a sanctuary, and feeding predators relatively easy meals, is kind of like offering them an early retirement.

While I did enjoy the afternoon (it turned into a gorgeous day and the outdoor sections became a pleasure to linger in), I felt a snag or two, watching the fur seals and the river otters doing laps, bored off their cute furry asses. I know they wouldn’t survive in the wild, being either rescued or captive bred, and that helps me feel better. It also helps that the staff are dedicated not just to the physical health of the animals, but also to offering them enrichment and amusement, just like we do with our pets at home.

But no amount of sea otters feeding and harbor seals hamming for the tourists** kept me from returning to my favorite exhibit.

The Cuttlefish

Cuttle fish are not fish, they are cephalopods, related to Octopuses and squids. And they. Are. Awesome.

Seattle Aquarium has seven (that I found.) There are two near the seahorses, down low where the little uns can see them, and they are the more colorful ones. Their resting mantle colors are vivid blues and purples and yellows, but they change them at the drop of a hat. They can also change the texture of their skin, smoothing out or projecting spikes to blend in and hide or stand out and threaten.

Though the vivid ones were pretty, they’r tucked into a small corner, and the two were in neighboring tanks, unable to interact with one another.

Moving to the next room, we found a tank with five all together, and at adult eye level. This species is called Sepia bandensis and has a far less vibrant mantle. And their inter… cuttle-al? interpersonal interactions were SO COOL to watch. They mostly hang out under their little rocks, blending in so perfectly that at first I only counted three. While we watched, they came out and slowly, glacially, had a little tiff.

I think it was two males and a female, because one stayed low to the ground, her skin color and texture changing so slowly I almost didn’t notice it, while the other two jockeyed for proximity. They flashed from white to so purple they were almost black, spikes jutting from their skin and then smoothing out. The one in the middle showed his angry black top side to his rival as his underside, the side facing the female, was a reassuring white. As they moved around each other, like a sitcom rendered in silent ballet, their colors strobed, flashed, bled from one to the next, telegraphing meaning in an instant.

The subtleties of color and the speed with which they changed it, slow sometimes, when adjusting camouflage, lighting fast when telling someone else to piss off, are myriad. The color changes are controlled by a special type of cell that (called a chromatophore) they have instant and total mastery of starting at birth. Well, hatching. They come from lil eggs. They’re so cute!!

And how cute are they, anyway!?! Their eyes are at the transition point between their fat, oval little bodies and their short tentacles. Depending on which way they’re approaching you, they might look like they have an enormous fat nose and a teeny tiny little body, or they might look like they have a big round belly while their face is long and skinny. When their tentacles are all together, it looks like a long nose and a slightly disapproving face, but when they open their tentacles for whatever reason, they suddenly become a chibi Cthulhu, their small stature preventing any real scare factor from their tentacle ringed maw. Their motile fin is incredibly thin and encircles their bodies, a gossamer fluttering tutu.

And the best part? When they’re near the ocean floor, they take their bottom two tentacles and use them like little leggies! They’re buoyant, so the legs walk in a kind of astronaut slo mo effect as they wander to and fro.

At the end of our leisurely walking tour, after cruising the mammal tanks and swimming with the whales in virtual reality, we had enough time to revisit one exhibit and I chose cuttlefish.

The love triangle seemed to have cooled off for now and all five little smushy water dirigibles hid in their rocks, indistinguishable from their surroundings.

I don’t know which one it was. Maybe it was the female (I didn’t read until later that you can count their tentacles to discern male from female), maybe it was one of the observers to the delicate dance battle. No matter, one of them broke away from her stony hiding place and slowly, slowly approached the glass. She moved to the opposite side of the window, her little tenticlegs cautiously bringing her my direction. Finally, she settled across from me, mere centimeters of glass separating our noses, and we watched each other.

It’s almost impossible to know, and definitely to remember, what her mantle told me. She was in full camouflage, instinctively hiding her soft, tiny body from potential predators. He skin was mottled cream and brown and almost black, protrusions breaking up her silhouette, blending her into the gravel. And yet, she made small, subtle changes, strobing soft stripes that moved from head to toe, or from eye to forehead? It’s hard to tell what the equivalent would be. Her spikes sometimes softened at the tips, just a bit.

For a moment, nothing moved and no one else existed. I looked directly into her W shaped eye and wondered if she was thinking what I was thinking. What is this creature? This mute, bizarrely sized, caged creature. Did she know she was the one behind bars and not me? Was she wondering if I knew that I am me? Was she observing me, wondering about me, just as I was? And did she have the better life? Ostensibly free of stress, free of wondering about higher meanings or your impact on the planet, well fed and housed with stimulating neighbors, was she happier than me? Was I on the wrong side of the glass?

It’s a hard concept to accord any weight, later, over steaks and wine and gratuitous desserts. Cuttlefish don’t have orgasms, as far as we know, and their tongues are not for tasting, or for pleasure. Their lives are short and fraught, ruled by instincts and unable to know the wider world.

But it’s no harm to wonder, in both senses of the word. To wonder at my assumptions and ask questions of the world, and to wonder at this world of light and color and diversity and pain and majesty.

My thanks are often general, addressed to the many, many people who have helped me craft my life as it is, as I like it. But today I have the privilege of thanking one person. The wondrous gent who shared my joy, watching her watching me watching her, who conjured for me a day at the aquarium without knowing just how perfect it would be.

Thank you.

*To be fair, I missed it, too, but Didn’t miss the messaging.

**The river otters and the fur seals may have seemed kind of bored, but the harbor seals sure looked a lot like they were having fun interacting with visitors. They’d bump up against the glass right in front of someone, or boop face first into it at low speed. They played with each other, and took care to rest where people could see them clearly. Also they are one hundred percent adorable, and they’re a pretty sedentary species anyway.

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The Dentist

I have never had a panic attack before. I’ve watched people have them (both before and after I knew what they were) and Ted Lasso has done a good job of portraying them, but I’ve never myself had that specific experience. My anxiety, when it arises, is more of a slow burn.

I also don’t like needles.

So when a needle full of novocaine slid slowly, deep, up into my jaw, I was prepared to hate it. I did. I was prepared to endure it. I did. I was not prepared to have a panic attack as it set in.

First, my heart rate spiked. I could feel it in my throat and hammering against my ribs. I tried to slow my breathing but it shook and rattled on the way in and out of my lungs. My hands shook, went icy cold and started to tingle. My palms dampened with sudden sweat and nausea hit the pit of my stomach.

I am so fucking proud of myself.

During the last few months of least year, I found myself in a situation that meant frequent but low level stress responses. I spent time learning exactly what adrenaline and cortisol feel like when they hit your system. I learned how to calm myself down and how to ask my body what it needed from me to heal. It wasn’t a fun experience, but it was valuable, because in this moment, when I wasn’t expecting this response at all, I was masterful in my handling of it.

I realized what was going on. I communicated with the staff. I breathed… in for four, hold for four, out for four, hold for four. In, hold, out, hold. Then for six. Finally, all the way up to a count of ten in each phase.

One of the scariest parts of a panic attack is not knowing what’s going on. The first time I watched someone have a panic attack, neither of us knew what it was or what it meant. We wondered whether it would be worth going to the hospital. We sat, confused and afraid, in the car, hoping it would go away. But without the tools to name and dissipate it, The effects lasted for hours, the fear for years.

When, within the space of an hour, I experienced the symptoms of panic attack, calmed myself down, communicated my needs, and returned to baseline, I was SO proud of myself.

And proud of my body.

At one point, about halfway through (and yes, the dentist and his technician were still going about their work) that nausea I felt in my stomach asked for my attention. In some of my meditations, I have visualized light of several colors rolling off of me, as if I was shedding love, calm, or strength, depending on the color. I put my hand flat, palm down, right over the soft spot under my sternum, applied gentle, sustained pressure, and saw behind my closed eyelids, the blue, cool light of calm coming from my open hand and soaking into my upset tummy. Next, my throat. I slipped my other hand under the little paper chest apron they give you and rested, cool, on my chest, just below my throat. As I cooled off and calmed down, my hands adjusted, finding the spots that needed attention and filling them with calm.

I wonder how things might have been different if I’d known this years ago. Perhaps I could have been more present for myself and my friends. Perhaps I could have found my voice sooner.

Rumination is one of my stressors so I’ll avoid it here. I am only grateful that whatever I’ve been doing, the reading, the meditation, the visualization, and constantly learning from others’ experiences, helped that day.

When I went back to have the other side done, I was ready. It turns out there’s epinephrine in the novocaine. It was likely responsible for my symptoms and now that I knew what to expect, I wasn’t afraid. I got a little shaky and my heart rate went up, but I didn’t need the focus that, the first time, was critical.

I almost cried with joy. Hand on heart, noticing my body, asking it what I needed to do and actually receiving a response, I felt this flood of gratitude. Thank you for telling me we’re in danger. Thank you for telling me how to help you. I thought. You’re doing such a good job, body, and I love you. 

I cry fairly often. It’s normal for me to express love in a flood of tears. I am trying to learn to let them come in the moment and embrace the awkwardness of those around me. However. I wasn’t sure I’d be able to explain to the dentist that my tears weren’t of pain. Particularly since his hands, the assistant’s hands, a bite spacer, and several tools were all jammed in to my incredibly tiny mouth. I had to change my train of thought and put my tears off until later. They still haven’t come. But they will.

There’s no particular point or ending here. This kind of work, learning the theory behind emotional health, practicing it in moments when you’re already calm, and drawing on it in moments of very-not-calm, is ongoing. There are dozens of approaches, each suited for different minds and hearts. For the lucky ones, each approach offers new insight, something useful we can weave into the fabric of our selves. There are no finish lines, but there can be pivot points. Moments in time where the gradual work comes together and, AHA! Something new crystalizes.

For me, this trip to the dentist was one of those moments. I didn’t know what I could do until I did it. Now I know it’s there if I need it, and that’s a powerful tool.